Me voglio fa 'na casa - Donizetti
Pianist: Ashok Gupta
Sogno - Tosti
Pianist: Gary Matthewman
Of particular note was Alessandro Fisher's Acis, whose clear and honest tenor was impressively constant across his range.
Fringe Opera November 2013
A Blackbird Singing - Michael Head (from Over the Rim of the Moon)
Pianist: Ashok Gupta
Ecco ridente in cielo (from Il Barbiere di Siviglia) - Gioacchino Rossini (Live recording)
Pianist: Ricardo Gosalbo
[Alessandro Fisher, an accomplished Handelian] made an early highlight of Fabio's 'bee' simile aria.
Hugh Canning, Opera Magazine, reviewing Berenice June 2019
In a charming aria about bees, one of the opera’s most characterful numbers, Alessandro Fisher sings with a notably mellifluous tenor voice.
Richard Fairman, FT, March 2019
Una furtiva lagrima (from L'elisir d'amore) - Gaetano Donizetti
Pianist: Richard Black
Sopra l'acqua indormenzada (from Venezia) - Reynaldo Hahn
Pianist: Gary Matthewman
Given tenor Alessandro Fisher’s honeyed tones, Rosina might have done better to choose him; why she falls for Don Cassandro is a mystery.
David Nice, The Arts Desk, reviewing La Finta Semplice June 2018
Ach, so fromm (from Martha) - Friedrich von Flotow
Pianist: Richard Black
[Alessandro Fisher's] light tenor mellow and enviably even-toned
The Guardian on Prom 40, Prince Albert's 5 songs 2019
in five sub-Schubertian songs by Prince Albert, mellifluously sung by Alessandro Fisher with Hough accompanying, you did get a feel for how musical soirées at the palace must have sounded in the 1850s.
The Times on Prom 40, 2019
Alessandro Fisher’s tenor voice was spot-on for the delivery of the Lieder, which he did with sensitivity and well-judged technique.
Barry Creasy in musicomh.com on Prom 40 2019
Vieille Chanson - Bizet
Pianist: Anna Tilbrook
